It’s hard to argue against the fact that Joshua Jesty has built a reputation as one of the best songwriters to grace the Cleveland music scene in the past decade. Between the proto-supergroup This Is Exploding, the snarky These Violet Young Lovers, and his extensive solo material, he’s a proven artist that produces songs faster than his trademark cartoon rabbits. It’s Your Fault Everything’s Alright is the fourth and final release in his Like Rabbits EP series and marks a defining resolution to his two-year long musical autobiography.
Collectively, this quadrilogy is Jesty’s strongest musical effort since his 2009 release Girl, with each album providing a snapshot into the twists and turns of Jesty’s progress in life and love. His pop song craftsmanship is graced with humor and wit, and allows him to create sentimental stories that can combine the tragedy and elation of everyday relationship moments into fantastic power-pop gems. His heartbroken lyrics swell with nice-guy frustration and can feel distraught at some points, but Jesty’s gentle style always seems to emphasize the underlying optimism of a true romantic. His combination of pop songcraft and incredible musical talent remind me of Matthew Sweet, especially since he played nearly every instrument on each song and recorded the entire effort from his personal studio.
The album’s introduction, I’m On High, captures the classic spirit of Joshua’s musical approach, with an anthemic gritty rhythm and soft vocal melody that hooks like it was from Guided By Voices’ Bee Thousand. The twangy off-note bends and driving guitars of Bad For Me keep the energy of the “first side” alive and provide a nice contrast to the touching delivery of one of album’s strongest songs, You’re The Worst. The last half of the album continues on a high note, from the upbeat modern sound of Time Gives Me The Screw to the quirky, new wave riffs (and awesome bass lines) of When It’s Gone. The acoustic guitar and delicate brass and string orchestration of Here closes the curtain with an emotional and impactful finale. Overall, It’s Your Fault Everything’s Alright is the perfect playlist fodder for both the secretly admired and the prospective breakup.
You can catch Joshua perform the entire album (and get a free copy at the door) on Friday June 26th at Mahall’s 20 Lanes, with Jason Patrick Meyers and The Quickening. The album is also available for purchase (along with the rest of the Like Rabbits series) on his Bandcamp page.
photo by Mara Robinson (The Flaming Lips at Nelsonville Music Festival 2011)
This Thursday morning, Jason and I will be getting into the packed Prius and heading out to Robbin’s Crossing for Nelsonville Music Festival 2015 (May 28-31). Jason will be tweeting, posting, Instagramming and writing, and I’ll be shooting FreezeFrame from the pit. Here’s a sneak peek of who we’ll be covering.
By Light We Loom’s debut EP “The Ignition” is more than a metaphor. It is renewal, discovery, faith testing, overcoming setbacks, and far more than just 4 songs. You can hear right from the start that even though they are a two piece husband and wife ensemble, they intend on continuing with the same full sound that they had with their former band, Bethesda.
Eric has the ability to create multiple layers with his musical background and Shanna is sounding her best yet with clear, full and matured vocals. Put that together with their new recording partner, Jim Stewart, who engineered the sessions, and you will find yourself thinking they might have stumbled onto a great thing. This is especially true if you were saddened by their choice to move on from their band in 2014.
The EP starts off strong with the title track’s “Ignition” repeating the word “revelation” in the chorus, almost as if they had one of their own. Their spiritual background is very evident with so many of the lyrics lending themselves to biblical imagery, but they find a way to make it palatable as they douse it in wonderful melodies that you will find yourself singing well after the song is over.
“Stand” is more like the sound you will hear live as they like to fill their act out with a few samples. this may take you out of the song at first, as you may be used to a more organic sound, but Shanna’s haunting vocal accompaniment and lyrics do their best to draw you back in and the song gets right back on track.
Next comes “measure of us”. If “ignition” is their way of palleting their message, this is their gospel. You can feel their fiery spirit coming through and the vulnerability of living a devout life as they yearn to get that message out to others.
“Mason jars”, in my opinion, is the hidden gem of the EP. Tucked away at the end, this song could have been written recently or years ago, it feels as though they know this song very well. Their confidence abounds in the way they sing together and how the music drives this beautifully written song.
4 songs is not enough but it shows they are off to a good start. It is an enjoyable and fun EP. Look for their release party May 1st at the Euclid Tavern Happy Dog with Marcus Allen Ward and Nanopheonix.