Tag Archives: live music

Wire at the Beachland Ballroom

DJ Party Sweat spinning before Wire at the Beachland Ballroom. Photo by Mara Robinson
DJ Party Sweat spinning before Wire at the Beachland Ballroom. Photo by Mara Robinson.

From the moment we entered the nostalgic flyer-covered walls of the Beachland Ballroom, it truly felt like stepping into an underground club from the 80s. The groove of DJ Party Sweat’s pulsating vinyl beats set the soundtrack before the ambient pop-noise stylings of Julian Lynch. His solo performance captured the early audience’s attention, with a whispered voice, multi-color guitar, and two briefcases stacked with effects and processors.

Wire (Graham Lewis, Robert Grey, Colin Newman) live at the Beachland Ballroom. Photo by Mara Robinson.
Wire (Graham Lewis, Robert Grey, Colin Newman) live at the Beachland Ballroom. Photo by Mara Robinson.

With their fourteenth studio album and a career that spans over thirty years, Wire has earned a no-nonsense reputation, especially when it comes to their stage performance. That level of respect for their craft is equally reflected by the devotion of the fans who filled the ballroom floor.

Colin Newman of Wire live at the Beachland Ballroom. Photo by Mara Robinson.
Colin Newman of Wire live at the Beachland Ballroom. Photo by Mara Robinson.

The front of the stage was a guitar and gear lover’s dream: from the massive Eastwood hollow-bodied twelve-string and streamlined Airline guitars in Colin Newman’s arsenal, to the artful pickguard on Graham Lewis’ souped-up bass, and the sea of unique effects pedals arranged in front of each member’s station. Wire’s embrace of technology has been their hallmark, and their growing cache of technological prowess continues to surprise their audiences.

Graham Lewis of Wire live at the Beachland Ballroom. Photo by Mara Robinson.
Graham Lewis of Wire live at the Beachland Ballroom. Photo by Mara Robinson.

Wire started their set with a pair of uptempo selections from their new self-titled album, Blogging and Joust and Jostle. Both tunes display the quick beats, angular chords, and short length that has become their signature style. The low-tone hook-laden punk sounds just as fresh as their classic album catalog.

Matthew Simms of Wire live at the Beachland Ballroom. Photo by Mara Robinson.
Matthew Simms of Wire live at the Beachland Ballroom. Photo by Mara Robinson.

Their set continued with more new material peppered with choice picks from recent albums like Stealth of a Stork and early work like Blessed State. The sonic showcases during Sleep-Walking and their final song Harpooned were fantastic to behold. Guitarist Matthew Simms’ technical musicianship and dexterity was on full display, with incredible feedback, synthesized solos, and brilliant electronic textures on his lefty Fender and lap slide guitars.

Matthew Simms of Wire live at the Beachland Ballroom. Photo by Mara Robinson.
Matthew Simms of Wire live at the Beachland Ballroom. Photo by Mara Robinson.

After a brief departure, they returned for a final encore kicked off with Adore Your Island from Change Becomes Us and closed out the night with more fan favorites, including a rare song from Pink Flag. Wire is known for not doing fan requests, but hopefully they’ll oblige to their great group of devotees and return to Cleveland on their next tour.

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Live Review: Matt and Kim at the House of Blues

Cleveland had been waiting oh-so-patiently for Brooklyn power-duo Matt and Kim after canceling their last appearance in support of Passion Pit in 2013. The couple more than made up for this by providing Cleveland the means to dance and sweat through  a 21-song set in support of their latest album, New Glow. “I’m giving you 200 percent because you motherfuckers deserve it!” whooped Kim Schifino after she explained in graphic detail the reasoning behind the last show’s cancellation (it involved a toilet.. and some Pepto…we’ll spare you the details).

And give it 200 percent, they did. Blasting through songs like “Cameras”, “Hoodie On” and “Get It”, Matt and Kim blew the roof off of the House of Blues with confetti cannons and balloons galore with a parachute dance party to throw in the mix. Having previously been injured from stage antics earlier in the week, Matt Johnson did not let that stop him from skillfully balancing himself on one foot and dipping forward into his keyboards while Kim twerked all the way across the stage.

The show closed out with crowd pleasers “Let’s Go” and “Daylight” before the one song encore of “It’s Alright” in which Kim crowd surfed and booty danced into the middle of the audience.

San Francisco-based Waters warmed up the audience with flowers and sunny tunes including “What’s Real” and “Stupid Games”. The 5-piece band also attempted a cover of Taylor Swift’s “Blank Space”, but redeemed themselves with original song material “I Feel Everything”.

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