Tag Archives: Charles Hill Jr

Charles Hill Jr releases new music benefiting hurricane relief

Cleveland country artist Charles Hill Jr recently recorded a direct-to-wax performance of his new song Little Buddy with new studio The Earnest Tube run by local engineer Clint Holley. 

All Earnest Tube recordings are done straight to lacquer, with no overdubs, multitracking or mixing. 

Hill wrote Little Buddy with hope that anyone with a child, grandchild, niece or nephew, can relate to. 

The song was written the night of his baby niece’s first Christmas. “The whole song is about the moment I met her. Little facial expressions she was making when she was only a number of hours old, I looked at my sister and was like, ‘Well, you messed up. You made a me. You better try to make another one that’s like you.'” 

“I’d actually sat down to write a song about Ken [Janssen, Cleveland friend, frontman and founder of Stow House Records, who died of ALS New Year’s Day 2015] said Hill. “This one just came out instead.” 

This single is the very first Earnest Tube recording. Neither Hill nor Holley had done it before. 

“We were just testing out how the process was going to work,” said Hill. “It was never to be released.” But since the recording turned out so well, he decided to run with it. 

“It humanizes the whole [recording process]. There’s a little warble in it just because of how it’s done, but I like that. It gives it a sort of old school aesthetic.”

The single also features a B-side cover of Blaze Foley’s If I Could Only Fly and will be available in a limited edition of 25 hand-made custom pressings, signed and numbered by Charles himself, with proceeds benefiting hurricane relief efforts in Puerto Rico. These pressings form Wax Mage Records go on presale Monday October 16 on Hill’s Bandcamp

“I’m not one to go on Facebook and bitch about the president. I just don’t think it does any good,” says Hill. “Obviously he didn’t approach or execute as well as he should have with the hurricane in Puerto Rico. I mean, you can just see the apathy in the press conferences. So instead of getting mad about it on the internet, I decided it’s just better to try to stay positive and do something good about it.” 

Additional copies will follow November 17 on Stow House Records, with a release party that night at Survival Kit, part of the 78th Street Studios art galleries. Hill will be joined by Al Moss on pedal steel and Mike Allen (The Dreadful Yawns) on bass. Supporting acts Clint Holley and Brandon Shields (The Lucky Ones) will also perform. 

“I love playing [at Survival Kit]” Hill says. “It’s intimate. And especially with the third Friday [shows] you sort of get a built-in crowd and it’s all people that are there to absorb art in whatever way you give it to them.” 

Charles Hill Jr Little Buddy Album Art
Album Art by Eric Alleman
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Shootin’ Man by Charles Hill Jr

If someone was handed a Charles Hill Jr Shootin’ Man vinyl record, they would be hard-pressed to locate the region or era from which it came. When you find out it’s a modern-day man from Cleveland, it will either draw you in or cause you to fold your arms and shoot a sideways glance. But this red-headed young man made a tried, tested and true traditional country and western album.

charles hill jr shootin man

Each track has classic, well crafted songwriting, from the title track Shootin’ Man to Learnin’ To Get On With My Life (Without Lovin’ You). You can hear his self-professed influences from George Jones to Willie Nelson in his style of singing and the pining for days when this was the way you made a record.  Charles has claimed his sound and bathes in the age-old sound that he clearly identifies himself with, while his band does their best to emulate the session musicians of that era, with Al Moss as a cornerstone on pedal steel, Ben Gmetro and Stelianos Simantiris (guitars), Chris Russo (drums) and Mike Allan (bass) filling out the rest of the record’s twangy sound.

My only issues with the album is that I would have liked the song order to be more aware of the flow. It starts a little slow and the gems of the album are more of a surprise when they show up than an expectation. Charles also gets a bit too timeless with his lyrics and I don’t always get the feeling he believes what he is singing; but songs like I Don’t Want to be Reminded and The Best Efforts absolutely ring true when he sings them. The faster songs, including the title track and Mouse Island are just fun, toe-tapping songs. The band respects where the music comes from over anything else, and they want this record to feel cemented in the canon of country and western music that shaped what they do.

If you want a record that helps the afternoon wind away, with life feeling a little slower, love full of pain and heartache, and your solutions involving whiskey, this album is for you.

Photo by Leia Hohenfeld.

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