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Photo Recap: Matthew Sweet at Beachland Ballroom

After releasing two new albums in two years, Matthew Sweet and his trusted musical crew of Ric Menck on drums, Paul Chastain on bass, and John Moremen on solo guitar made their way back to Cleveland and ready to bring tunes from Tomorrow Forever and Tomorrow’s Daughter to the masses.

During our interview with Matthew for his last visit to Cleveland, he mentioned that this latest batch of songs could be more than just one album, with a possible bonus disc of demos. Considering the energetic burst of writing and recording that Matthew’s done since his move back to Nebraska and re-establishing his home studio, it carries little surprise that there were enough complete extras to form another full album. 

The songs from Tomorrow’s Daughter and last year’s crowdfunded release, Tomorrow Forever, mark a new creative milestone in Matthew’s musical journey and certainly his most prolific and exciting period of songwriting since the Altered Beast period. The plethora of B-sides, demos, and live cuts, along with the Son of Altered Beast EP could equal out to a full album worth of material. With Tomorrow’s Daughter, it’s like getting all those hidden gems in one package. Don’t think that these songs wouldn’t have the same quality as the songs that were chosen for Tomorrow Forever; they definitely merit a separate release as a complementary volume to this musical chapter. It’s better to have a full album like Daughter than to let these songs never get heard. 

John Moremen, Matthew Sweet, Ric Menck by Akron music photographer Mara Robinson
John Moremen, Matthew Sweet, Ric Menck by Cleveland rock photographer Mara Robinson www.MaraRobinson.com
Matthew Sweet & Ric Menck by Akron music photographer Mara Robinson
Matthew Sweet, Ric Menck by Cleveland rock photographer Mara Robinson www.MaraRobinson.com

Matthew and the band started the evening with Time Capsule, one of his most popular tunes from the critically-acclaimed Altered Beast. The connection with fan base from the Girlfriend and Altered Beast anniversary tours showed that his most popular albums from the early-to-mid-’90s still have a lasting impression with fans. Matthew’s live set is best-known for heavy hitters like Girlfriend, Evangeline and I’ve Been Waiting, and heartfelt ballads like Winona and The Devil With The Green Eyes, which blend beautifully with the raw sound of his current releases.

Ric Menck by Akron music photographer Mara Robinson www.MaraRobinson.com
Ric Menck byCleveland rock photographer Mara Robinson www.MaraRobinson.com
Paul Chastain by Akron music photographer Mara Robinson www.MaraRobinson.com
Paul Chastain by Cleveland rock photographer Mara Robinson www.MaraRobinson.com

For the next song, he launched into Byrdgirl from 2010’s Sunshine Lies. It’s a treat to hear rare songs that don’t often appear live on stage. These deep cuts and personal faves perfectly bind the current vibe of the new songs with the classic Girlfriend guitar rock that signifies Matthew’s sound. He still includes songs from the fantastic 100% Fun like We’re The Same and Sick of Myself with multiple fake-out big rock endings to keep the crowd going for more.

Ric Menck, Matthew Sweet, Paul Chastain by Akron music photographer Mara Robinson
Ric Menck, Matthew Sweet, Paul Chastain by Cleveland rock photographer Mara Robinson www.MaraRobinson.com
John Moremen & Matthew Sweet by Akron music photographer Mara Robinson
John Moremen, Matthew Sweet by Cleveland rock photographer Mara Robinson www.MaraRobinson.com

Following that, the band kicked off with Pretty Please from Tomorrow Forever, a stomping rhythm rocker that recalls the attacking riff style of Altered Beast and Kimi Ga Suki Raifu. The Tomorrow Forever songs really match well with big hits and crowd pleasers from Matthew’s vast catalog. Songs like Trick bring back the hook-laden power pop of 100% Fun, with an interesting mix of slower songs that show a deeper and darker side to Matthew’s songwriting. Songs in the set like The Searcher from Tomorrow Forever, with its Dinosaur Act pedal feedback leading into the drifty sway of the ocean, and Show Me from Tomorrow’s Daughter, keep an even driving rock beat with the emotional and down tempo feel.

Ric Menck,, Matthew Sweet, Paul Chastain by Akron music photographer Mara Robinson
Ric Menck,, Matthew Sweet, Paul Chastain by Cleveland rock photographer Mara Robinson www.MaraRobinson.com

Throughout the evening, the entire group delivered the goods with a cool and relaxed spirit, and it seemed that Matthew’s performance was more at ease than in previous years. The torch bearers for the ’70s stadium guitar power pop of Cheap Trick, Big Star and ELO are few and far between in today’s music environment, but Matthew’s enduring style evokes their energy in ever evolving ways. Now that he can produce music independently with the support from his devoted and generous fans, he has no reason to hold back on his next creative effort. The next era of Matthew Sweet has a lot to offer, and it’s guaranteed to rock.

For more details on tour dates, latest releases, and more news, visit Matthew Sweet’s official website.

All photos by internationally published Cleveland / Akron music photographer Mara Robinson. See more photos at MaraRobinson.com

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Live Review: Lightning Bolt/Metz/Chomp at the Beachland Ballroom

It may have been a good idea to bring a set of earplugs to the Beachland Ballroom Friday night as the aggressive chaos-inducing noise-rock of Lightning Bolt, METZ and Chomp emanated from the stage and penetrated concertgoers’ ears.

Cleveland’s own Chomp kicked off the night with Joe Boyer on vocals, Jeff Latimer on bass and Scott Reid on drums. Boyer’s voice ranged from melodic drifts to gravelly screams. Reid’s drumming reached a vomit-inducing high that did not deter him one bit except for a five second recovery period before delving into one of Chomp’s newest songs, “The Rational Anthem”. You can catch Chomp again at Mahall’s on April 30.

METZ hailing from Toronto took no time to create a sweat-filled haze over the crowd that literally fogged up lead singer Alex Edkin’s glasses. Edkin’s shredding matched bass player’s Chris Sloarch’s wild antics while drummer Hayden Menzies pounded away in a maniacal fashion. Edkin’s interactions was minimal but when prompted, the crowd responded back with mighty whooping before diving back into the mosh pit once a new song started.

Much anticipated headliner Lightning Bolt took to the stage – a rarity as their sets are usually performed on the ground surrounded by the crowd. Bassist Brian Gibson left the talking and crowd interaction up to drummer/vocalist Brian Chippendale as he stood off to the side quietly concentrating on his loops and tapping. Chippendale’s furious drumming threw concertgoers into a violent frenzy while he bellowed unintelligible lyrics into his masked microphone. Playing songs off their recently released album Fantasy Empire, it was not long before those in attendance mustered the courage to hop on stage and thrash along in usual Lightning Bolt fashion.

 

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King Tuff and Herzog live at Beachland Ballroom

King Tuff and Herzog play the Beachland Ballroom Thursday April 2, 2015.
Show starts at 8:30pm (doors at 7:30pm).

Herzog and King Tuff at Beahland Ballroom
Herzog and King Tuff at Beahland Ballroom

King Tuff (Brattleboro, LA; Sub Pop)

King Tuff
King Tuff

Herzog (Cleveland; Exit Stencil Recordings)
Herzog has quietly been building a devoted following with their relentless take on guitar-driven power-pop. Comparisons to ’90s luminaries such as Built to Spill, Sebadoh, and Dinosaur Jr abound—apt and warranted—but similarities with present-day bands like Diarrhea Planet, Thee Oh Sees and FIDLAR are equally appropriate.
Boys is the new album by Cleveland’s Herzog on Exit Stencil Recordings and is by far their most ambitious, cohesive, and sonically diverse album to date.

Photo of Herzog by Suzanne Price

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Shawn and Shelby at The Beachland Tavern

For the past six years, Shawn Brewster and Shelby Sangdahl have been leading a strong path through Cleveland’s music scene in the rock ‘n’ roll folk band Oldboy. With their new EP release “Sleeping in a Spell” Shawn and Shelby create an intimate and rustic invitation to honest and talented songwriting. Stripped away the electronics and percussion of their rock-oriented project, the back-to-basics guitar and cello approach of their hometown folk roots is stronger than any amplifier.

They’re performing with Nashville’s Carl Anderson and the Southern rock stylings of Matt Hectorne.

Doors open at 7:30 PM.

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