The threatening skies over Kent held off just long enough to have a clear evening leading up to show time. The downtown area surrounding The Kent Stage was already abuzz with early fans waiting to see Toad the Wet Sprocket in their original glory. In the years since their prominence in the ’90s, the enduring foursome have continued to periodically travel and pack venues to maximum capacity, and tonight is no exception.
The sold-out crowd was first greeted by the impressionable talents of Megan Slankard, joined on stage by Adam Nash on slide/rhythm guitar and percussion. The San Francisco duo brightened early concert-goers with friendly and inviting banter and an acoustic guitar style that combined the flair of modern Nashville with radio-friendly folk rock. Her powerful voice blended country soul with distinct clarity that gave each song a certain strength and personal touch.
In a touching moment, Megan and Adam paid special tribute to Aretha Franklin and celebrated her legacy by performing an intimate rendition of I Say a Little Prayer. The Toad fans in the audience really appreciated her expressive and energetic style, and were brought to their feet several times during her set to praise her outstanding gifts. Megan’s performance captured the attention of the crowd and provided the necessary shot of energy in preparation for the coming of Toad.
After a moving audio tribute to The Queen of Soul on an empty stage, Toad the Wet Sprocket stepped out to bring the same love to the capacity crowd. Joining lead vocalist Glen Philips at the front stage mics was Todd Nichols on guitar and Dean Dinning on bass. Atop the back risers was long-standing support from Jonathan Kingham on keyboards, mandolin, and lap steel guitar (you may remember him from our coverage of Glen’s solo show last year at Cleveland’s Music Box) and a talented stand-in drummer Josh Daubin, who looks like a more handsome, better-coiffed Bo Burnham.
Glen — with his trademark bare feet — remarked that he and the band were glad to be back in Kent again. Even though it’s been about seven years since the last time the full band was in town, Glen mentioned he’d usually visit during his solo tours in the winter, with the cold snow and no one walking around. But now, in the summer, “it’s a different place, it’s green, there are people. You tricked me!”
Toad started their set with This Moment from their latest release, New Constellation, a great example of the modern approach to their classic style, with signature harmonizing and an upbeat and catchy chorus. From there, they rolled into a trio of songs through their decorated ’90s catalog: endearing Crowing from Dulcinea; Whatever I Fear, the energetic opener from Coil; and then a crowd-rising sing along of their breakout hit from Fear, All I Want. They even featured a duo of their more memorable songs from In Light Syrup: Good Intentions, the irresistible tale of poor choices and bad experiences, and the uplifting and heartfelt Brother. Before long, the entire crowd finally got out of their seats and started rocking out on their feet.
The bulk of their set list covered their current sound from the New Constellation and Architect of the Ruin releases, including Architect of the Ruin, Golden Age, Enough, and their ode to the west coast, California Wasted. They still capture the chemistry that makes their songs connect so well with their fans. Their sound keeps the core elements of inspired and emotional songwriting, infectious pop phrasing, and harmonic depth, but now with a modern polish and process.
They also offered a large selection from their standout albums from the ’90s, Fear and Dulcinea. Within the first few notes of each song, the individual reaction from the die-hards in the crowd was incredible to behold. It remains their strongest musical work and is home to many fan favorites, like Windmills, Fly From Heaven, and Nightingale Song. They closed out the night with the big riff energy of Fall Down, and rewarded the cheering crowd for an encore with two of their biggest hits, Something’s Always Wrong and Walk on the Ocean.
But the crowd wasn’t made up completely of die-hard fans; there were some newcomers as well. Before the show began, a gentleman and his wife took their seats next to us and asked if we knew “whether the bands tonight are any good.” He admitted he’d never heard of either act, but I assured him he’d most certainly heard several Toad songs over the years. So what brought them to the show? Well, the answer will rekindle your faith in the goodness of humanity. Earlier that day, the gentleman inadvertently met Glen at a pizza shop. When Glen realized he’d forgotten his wallet, the gentleman graciously paid for him, and Glen gave him two tickets to the show in return.
Since Toad’s reunion, they have achieved a renewed success that few could have predicted. After reclaiming songs from their early catalog with All You Want in 2011, and the vinyl reissues of Fear and Dulcinea, they released New Constellation independently as a crowdfunded project on their own label. Toad the Wet Sprocket is poised to continue bringing their stories to the world long into the foreseeable future, and we can only hope they will choose to do so.
For more details on tour dates and venues, and more news from the band, visit Toad the Wet Sprocket’s official website.